泉州人为什么走遍全世界？

A hand-drawn infographic scene on warm cream paper background. Black hand-drawn ink lines with slight wobble, giving a warm notebook feel. No realistic rendering — purely hand-sketched diagrammatic style.

ZONES (left to right):

LEFT ZONE — “Root” (刺桐 / Quanzhou)

  • Stylized outline of Kaiyuan Temple’s twin pagodas, drawn in black ink
  • Below it, a classic Minnan red-brick “cuo” house silhouette (swallowtail ridge)
  • Calligraphy label: “刺桐” in a simple hand-lettered style
  • A small dotted circle around it, labeled “起点” (starting point)

CENTER ZONE — “Journey” (跨越海峡)

  • A traditional Chinese junk sailboat with a curved sail, sailing rightward
  • Stylized wave lines in light blue pastel (not solid blue, just soft pastel blue blocks)
  • A dotted line traces the boat’s path, splitting into three directions

RIGHT ZONE — “Destinations” (生根发芽)

  • Three pastel rounded-rectangle info blocks, stacked vertically:
    1. Top: Light peach block → “吕宋 / 菲律宾” with a small palm tree doodle
    2. Middle: Light lavender block → “台湾” with a small temple roof doodle
    3. Bottom: Light mint block → “南洋” with sub-labels “马来亚 · 印尼 · 新加坡” and a small shophouse doodle

ROOTS / THREADS (connecting all zones):

  • Thin black hand-drawn lines (like roots or threads) extend from the Quanzhou zone
  • Some lines go directly to each destination block
  • A few tiny red dots (macaron palette’s accent red) scattered along the threads like seeds

TOP BANNER:

  • Hand-lettered bold title: “泉州人为什么走遍全世界？”
  • Small decorative elements: a star doodle, a sparkle, an underline squiggle

BOTTOM LINE:

  • A one-line hand-lettered takeaway: “一场跨越四百年的 ‘文明搬迁’”

COLORS (macaron palette on cream paper):

  • Background: warm cream (#F5F0E8)
  • Lines: dark charcoal/black (#2D2D2D)
  • Pastel blocks: light blue (#C4D8E2), peach (#F5D6C6), lavender (#D4C5E2), mint (#C5E0D4)
  • Accent dots: soft red (#D4655A)
  • No gradients, no shadows, no 3D — flat hand-drawn feel

STYLE REFERENCE:

  • Hand-drawn educational infographic style
  • Warm, approachable, notebook-sketch aesthetic
  • Slightly imperfect hand-lettering, slight line wobble
  • Airy layout with generous whitespace